This is a pic of the website page, “lectures“. When you visit the page, just click on the buttons on the images to watch the movies I’ve made to let you know a little bit about what to expect from the lecture.

Lectures are just the tip of the iceberg, and the true learning comes from the workshops. This pic is from the page “workshops“.

My thoughts from so many years of teaching college students:

Lectures provide teachers an opportunity to share.

Teachers provide students an opportunity to grow.

Students provide teachers an
opportunity to teach.

If you provide the
opportunity,
I’ll share.

If you are interested in using the rotary cutter (without the background color) just post and I’ll send it to you. It’s FREE! Also, if you are in need of other quilting graphics please let me know. I’d like to form a list of generic quilting graphics we could all use for various quilting projects.

Want to create something really special for that loved one in your family?  Why not use your quilting skills to create a one-of-a-kind memory quilt; not a t-shirt quilt to remember the good times, but a portrait quilt to remember that special someone.

Do you have a favorite photograph of grandma or grandpa that’s fading, never to be seen again? Convert that flat image into an extraordinary tactile expression of heartwarming love and affection with simple pieces of fabric and an easy appliqué method. Give it a try, you can do it!

A great portrait quilt begins with a good photograph. Not the subject of the photo, but the contrast and size of the image. Let’s think about the technical aspects of the photograph selection. Of course your subject is worthy of a quilt, but the photo might not work “due to technical difficulties beyond our control”.

If possible, when selecting the photograph, look for a photo with just the head and shoulders, assuring a really close up image. It’s important to find all the nuances of the face to produce a truly realistic portrait in cloth, and this can only be achieved if those subtle expressions are visible in the photograph.

When auditioning a photo, look to see if the subject’s face exhibits contrast? Is the face all the same color with no strong shadows showing? Is the face too dark and no highlights are available? Next, check the eyes, can you see

definition in the eye area? To me, the eyes are the most important area of a portrait quilt; think of them as the focal point. If the eyes aren’t correct, how can the quilt “speak” to you? Don’t forget about the highlights in the eyes. They help reveal the inward emotion, and those small details are so important.

What if no head and shoulders photo is available? Look for a photo with as large an image as possible. Don’t select a 4”x6” photo of a small child playing in a sandbox, it simply won’t work.

How about group photos? Can one achieve a successful portrait quilt with multiple subjects? Yes. Just look for the same criteria for each subject in the photograph.

How about pets? Pets are terrific subjects for portrait quilts. If your photo is of your favorite black and white dog, with black around the eyes, don’t go there. The eyes will not show up on the quilt; not enough contrast between the black fur and the dark eyes. Is there enough contrast in the rest of the fur to create interest?

How about black and white photos? Color photos? Both will work well for a portrait quilt. In fact, when developing a pattern for a portrait quilt, I use the computer to change a color photo into a black and white photo. With image editing software, one can change many areas of the photo, not just change the color mode. If a photo is a bit too dark, lighten it; if hair is out of place, straighten it; if only one pet is in the photo, add another one. One’s imagination is the only limit in using image editing software.

How about a memorable landscape photograph? Technically, it’s not a portrait, but certainly an excellent subject for a quilt. When selecting a photo for a pictorial quilt, use the same criteria as for a portrait quilt; however, one must take into account the composition within the photograph itself.

Composition involves several areas to consider. First, is there a focal point? Is there one area that deserves the most attention? Perhaps, the photo is of an old barn in a field; are there any trees around? Is there a fence? A silo? A tractor?  Hills in the background? Decide upon the focal point and all other areas simply support the focal point, not compete with it. A good landscape photo has a background, middle ground and foreground as well as a focal point.

Excellent arrangement dictates not putting your focal point in the center of the photograph, or quilt. Don’t divide the photo in half, move the horizon upward so more ground is showing, creating more interest. Guide the viewer to the focal point through good composition. This can be accomplished with image editing software, or directly on the quilt. If the barn is too small in the photo, enlarge it; move it to the side rather than in set it in the center.

Whether one is planning a portrait quilt or pictorial quilt, photo selection is the first step in producing a memorable piece of art. Selecting the perfect photograph is the first step to creating your masterpiece. Start clicking that new quilt!

If someone told you all you needed to complete something you thought was too difficult to try, was a pencil, scissors, iron, and a sewing machine, would you give it a try? Why not, as a quilter you’re familiar with each of the items, right?

Let’s see, a pencil. It’s not a difficult thing to use, just press on it and move your hand, that’s it! You could use a pencil to sketch, but that’s not required for the project. You could use a pencil to write, but that’s not required for the project. A really simple use for the pencil is to trace. Tracing just involves putting paper over something and moving the pencil, now that’s easy enough, right?

How about scissors? So, scissors…hmmm…another easy item to use; just put your thumb and finger in the holes and open and close, the scissors do all the work. You could use scissors for cutting hair, but that’s not required for the project. You could use mock scissors for playing Rock, Paper, Scissors, but that’s not required for the project. How about using scissors to cut out the traced paper, now that’s easy enough, right?

An iron. Now, that’s a tricky one. It does have a plug and an on/off button, but I have confidence in you. Just plug it in, turn on the button and don’t touch the bottom of the iron, it gets hot! You could use an iron to press wrinkled clothes, but that’s not EVEN required for this project. If you pressed another button on the iron, steam would shoot out! You could use it to steam veggies, but that’s not required for this project. For this project, the iron is used to adhere the traced paper to the back of fabric.

Ok. If you can plug in an iron and push the button to turn it on, I know you can do the same for a sewing machine. There are lots of different types of machines, some fancy, some plain. You could use a fancy machine to sew clothes, but that’s not required for the project. You could use a fancy machine to embroidery decorative stitches on pillow cases, but that’s not required for the project. All you need for the project is a plain sewing machine with zigzag stitch capabilities, and you have one of those, for sure! Even the most basic machine offers a zigzag stitch. Just press the button and it zigs, and zags. Since you learned how to press the button way back at the iron, I know that can’t be used as an excuse. The machine does all the work, just like the scissors. All you do is hold the fabric and it sews for you, that sounds easy enough, right?

By now you have undoubtedly realized you have mastered the use of all the elements needed to successfully complete the project. Well, there might be just one more item I forgot to mention, attitude.

Oh dear, is that a positive or negative attitude required for the project? Duh, why a positive attitude, of course. Why would anyone think of beginning a new project with a negative attitude, why bother, why not skip the project all together? It was probably too complex anyway.

Whoa! What just happened? What made a new project too difficult? Perhaps it was because it was difficult to  completely understand the project, or it looked overwhelming and complicated. How did the amount of time to complete the project play into the decision to participate; we’re all conscious of a lack of time and commitment, was that the gremlin?

Why did just looking at something immediately persuade someone to determine its level of difficulty, especially if that person knew how to use all the elements needed to complete the task? What happened to learning how to walk, remember those baby steps? Ride a bike, or roller skate, or drive, all had a learning curve; but, the one thing needed to successfully complete the task was a positive attitude.

So it is with the project I’m encouraging you to try, appliqué. Appliqué means to “put on”. That’s right, just “put” one piece of fabric “on” the other. There are several methods to appliqué, but since your machine is capable of a zigzag, and you already know how to use it, why not let the machine do it!

Trace the pattern on the paper side of sticky backed paper; use the iron to press the traced pattern onto the fabric, and the scissors to cut out the pieces. “Put” the cut pieces “on” the background and position into place; press again and zigzag away. Before you know it, your quilt top is complete.

Remember your commitment to attitude. Fight off those gremlins of doubt. If a project seems overwhelming, read the instructions completely prior to beginning, then go back and read them one step at a time. By accomplishing one step, you have assured yourself you can do it! Then, proceed to the next step. The project does not need to be completed at one sitting, work on it over time. Plan a small goal and try to reach it, then set another one. Reward yourself with at least 15 minutes a day to reach the goal. Small successes breed larger successes; and you can rid yourself of those awful gremlins! You can do it!

Just take a photo of your quilt and use the [Place] command under [File] and place the photo into Illustrator. Next, use [Layers] to create a new layer above the photo. If [Layers] isn’t visible, go to [Window] and pull down to [Layers]. Look across the bottom of the [Layers] window to a small row of icons, the one next to the trash is the [New Layer] icon to choose. The icon looks like a page with one edge folded; click it. Now you have a second layer above the photo. Because you don’t want to draw on the layer with the photo, you will lock that layer.

Look to the left of the word “Layer 1” to see a small blank area; to the left of the blank area is an icon of an eye. The eye will allow you to view the layer and if you click the eye the layer will not be visible. The blank area to the right of the eye is where you will lock the layer (to prevent you from drawing on that layer); click right in the blank and a lock will appear. Both the eye and the lock are simply toggle switches, so you may switch them off and on at will.

When you want to draw your stitching pattern, click the word “Layer 2” so you will be on the proper layer. If you see a pencil with a line through it, it means you are still on the locked layer and can’t draw on that layer, just click Layer 2 and you’re ready to draw your pattern.

If you are not familiar with using the pen tool, you might prefer to use the pencil. I prefer the pen tool; however, there is a learning curve and you might not want to spend time learning the nuances of that tool.

The default is to have a stroke of black and a fill of white. Just look toward the bottom of the toolbox to see a black outline square and a white filled square, those are the defaults. You won’t want the fill of white because it will cover your drawing area, so click on the white fill to bring it to the front and make it active and select the universal symbol for “no”. The symbol, a circle with a line through it, is just below the stroke (square with a black stroke around it), click it and the fill is gone.

If you want to see your drawings without the photo, just click the eye on Layer 1 and the photo will not be visible, click it again and the photo appears.

If you do not have Adobe Illustrator, you may download a free open source drawing program from: www.opensourcewindows.org for pc or www.opensourcemac.org for macs. The program is called, Inkscape. It is a vector based drawing program similar to Illustrator.

What would you do with an old quilt? No one really wants to cut up a quilt; but the smaller pieces can be turned into just about anything from ornaments to coasters or bags or oodles of other things.

Recently, at the end of a lecture I presented to a quilt guild I asked if there were any questions. A quilter held up her hand and the first question asked was, “where did you get your jacket”. I had just presented information on how to use a computer as a quilting aid and several ways to expand a quilter’s concept of computer uses within their homes and communities, yet, the most important thing on her mind was my jacket. Right on!

I began the story of the jacket by asking if any in the group had heard of “First Monday”. Although we were no where near the area, at least two-thirds of the group of about seventy held up their hands. If you aren’t familiar with First Monday Trade Days in Canton, Texas check out this link. First Monday is the world’s largest outdoor trade days, although many of the booths are within covered areas.

Thousands of people flock to First Monday each month, in fact, due to the number of people visiting, the local residents don’t even pay property taxes. Booths are everywhere and it is impossible to see everything in one day.

Back to the jacket. I tend to enjoy the old antique/junk areas, rather than the formal booths and that is where I spotted the jacket. Well, it wasn’t actually a jacket at the time; it was an old quilt. It was full of holes and batting was oozing out of it, but I knew it was going to be my new jacket.

Old torn and tattered quilts have so many memories stored up in them; they exude warmth and love and so it is with my jacket. There were so many holes in the quilt I didn’t know if I could match the pattern or even get enough pieces for the jacket, but, alas, the jacket was complete.

I cannot go anywhere wearing the jacket that I do not receive a compliment. I have even heard footsteps behind me in the grocery store and moved out of the way for someone in a bigger hurry than I, only to find out they were trying to catch me! “Did you make your jacket”?

I don’t know if I will ever be so lucky to find another work of art in fabric as this quilt, but I’m continuing to look…

I bought the old quilt for ten dollars and it is worth a million in memories.

Does the word “free” brighten your day, or are you skeptical? If I were to tell you of websites with “free” software, would you then be skeptical? Would it make a difference if I changed the term to “open source” software? A clear cut explanation of the term open source may be found at www.opensource.org, so I won’t attempt to explain all the nuances of the definition; however, open source software means the source code is not proprietary, but open and transparent for people to see kind of “what’s under the hood”.

I don’t know about you, but I don’t want to know what’s under the hood, I just want the computer software to work. Low cost is good, but no cost is better.

 As quilters, we can certainly incorporate software into our days to simplify procedures, help us to be more productive, or globally communicate with fabric lovers, not to mention the availability to spend more time quilting!

If you visit www.opensourcewindows.org  or www.opensourcemac.org some of the open source (free) software is very similar to software costing hundreds of dollars. I’ve captured just a couple of images to illustrate what’s available for download. 

The room was abuzz and all the workshop attendees wanted one. This was not the first time members of the group had adapted products to meet quilters needs. Several of the group had small folding tables, even tv trays which were used as ironing boards. The tables were complete with small Hobbico custom sealing irons, the perfect size for workshop travel bags. But this day they were all interested in Anne’s innovation, the strip stick.

Rather than tell you about it, I’ve asked Anne a few questions.

 What is your quilting background?  I have been sewing most of my life.  I have been a member of the local quilt guild for several years and am currently working on my fifth quilt. Since I’ve been interested in quilting for at least ten years, I’ve learned a lot from other quilters and have taken quite a few classes.

How did you happen to design the strip stick?  I had signed up for a workshop and needed to make a strata consisting of at least 60 one & one-half inch fabric strips 45″ long.  I only had 3 days left before the workshop and my friends said that they had been working on theirs for more than a week and that there was no way I was going to be able to finish in time.  I realized that the majority of time was spent pressing open all the seams that were so close together.  I have used different kinds of pressing hams over the years for sewing clothing, so I envisioned a long rod of some sort to elevate the seam being pressed.  I asked my husband to cut me a piece of wood to my specifications then I made a smooth, padded cover for it and the rest is history.  I finished my strip set in approximately 11 hours! 

Please explain how to use the strip stick.  Lay the stick on the ironing surface, such as an ironing board.  Place the seam you desire to press on the top of the stick.  Either press the seam open or to one side, depending on the project.  When using the 45″ stick, a selvage-to-selvage seam can be ironed in one pass of the iron, saving an extraordinary amount of time. We send an instructional DVD with the orders when the customer has not seen it in use.

Can the strip stick be adapted for other uses?  Yes.  Some of my customers have said that the 18″ strip stick was great for pressing a quilt block with many intersecting seams, such as the one-block wonder. Many of my customers are using it almost exclusively when pressing quilt blocks.  The 45″ stick is great for pressing long rows of blocks and quilt borders.  You will find that the seams will be very straight–no more wavy seams!  It can also be used for pressing long seams in clothing, such as pant legs, long skirts or sleeves.

Does the strip stick come in various sizes? The Strip Stick comes in a 45″ and 18″ size.  We also have a 45″ Strip Stick that folds in half.  This model is good to use when travelling; however, the cover may not take the stress of continually opening/closing for a long period of time.  So I do not recommend this model for heavy usage.  Also the cost is greater for this model because it takes double the time to make it.

  On our Babb Enterprises website:  thestripstick.com 

Thanks Anne.

I have both the 18″ and 45″ strip stick and love them! Visit Babb Enterprises for photos.